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Evelyne Axell
Evelyne Axell (16 August 1935 – 10 September 1972) was a Belgian Pop painter. She is best known for her psychedelic, erotic paintings of female nudes and self-portraits on plexiglas that blend the hedonistic and Pop impulses of the 1960s.
== Early years ==
Born on 16 August 1935 in Namur, Belgium, Evelyne Axell (née Devaux) was born into a traditional, middle-class Catholic family. Her father, André Devaux, was a well known craftman in silverware and jewelry in the region and her mother, Mariette Godu, came from a very modest family. At the age of two she was declared "The Province of Namur's most beautiful baby"; her beauty continued to be a defining feature of her adult life. Although the family home and shop in Namur were destroyed by a Royal Air Force bomb in 1940, the young Axell was little affected by World War II. After graduating high school, she studied pottery at the Namur School of Art in 1953. In 1954, she switched to drama school and quickly began a career as an actress.〔Jean Antoine, "(Stages in a Life Cut Short. Biography of Evelyne Axell. )" in ''EVELYNE AXELL. Du viol d'Ingres au retour de Tarzan'' iac editions, (2006), p. 9.〕
In 1956, she married Belgian film director Jean Antoine, who specialized in art documentaries for Belgian television. She decided to change her name to Evelyne Axell for the purposes of her acting career, which her husband encouraged. He cast her as an interviewer in ''Jeunes Artistes de Namur'' (1957) in which she introduced young avant-garde Belgian painters. After Antoine and Axell's son Philippe was born, Axell worked as a television announcer. Although she gained a fair amount of local celebrity, she found the job trivial. In 1959, she moved to Paris to pursue a more serious acting career. There she performed in a variety of theatrical and televised plays. Eventually she moved back to Belgium to star in several movies, including three directed by her husband (''Jardins français'', ''La Nouvelle Eurydice'', and ''Comacina'') and one directed by André Cavens (''Il y a un train toutes les heures (a Train Every Hour )''). In 1963, she wrote and starred in the provocative film ''Le Crocodile en peluche'', also directed by her husband. Although the film won first prize at the Alexandria International Film Festival, it would be the last film project Axell and Antoine worked on together.〔Jean Antoine, "(Stages in a Life Cut Short. Biography of Evelyne Axell. )" in ''EVELYNE AXELL. Du viol d'Ingres au retour de Tarzan'' iac editions, (2006), pp. 10-12.〕
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